Clover Side Table

Standard Materials: Cork
Dimensions: 14.5"W x 14.5"D x 16"H
Lead Time: 12-14 weeks

Aria Pendant

Standard Materials: Brass, Glass and Acrylic
Dimensions: 12"Ø, 18"Ø
Lead Time: 16 weeks

Vanity

Standard Materials: Walnut, Brass
Dimensions: 48"L x 22"W x 30"H
Lead Time: 16-20 weeks

Extra Soft Carved Wood Lounge

Plush and ample, what more can you ask for ?

Salon Club

Extruded paisley arms embrace the sitter in mauve linen upholstery. 

Puffer Chair

A swivel base capitalizes on the chair's 360 degree appeal. 

A Space 

Inspired by the minimalist aesthetic of Donald Judd and the angular, interlocking planes of Hérve Baley’s architectural furniture, Slanted Armchair No. 1 is a study in simplicity and materiality. Cut from a single sheet of Indian onyx, the chair’s sharp angles accentuate the beauty of the natural material and its cool tones of gray and green. Though straightforward at first glance, the architectural form plays with asymmetry to give the chair a slightly off-kilter effect. In some instances, the subtle asymmetries create new ways of interacting with and using the chair.

Erickson Aesthetics

Created as a parody of the neotenic FAT furniture trend, Chrome Manifold I (after Terje Ekstrøm) is a ‘luxury piece’ constructed from sewer pipe and finished in chrome mirror enamel. Erickson Aesthetics references the iconic Ekstremchair, designed in 1984 by Norwegian designer Terje Ekstrøm, which challenged the ideals of Scandinavian design at the time and is still in production today.

Scheibe Design

The final form of Scheibe Design’s Quilted Mirrors was informed by multiple points of seemingly disparate inspiration. Both Donald Judd’s use of simple shapes and color combinations influenced the mirror’s composition as Judd remains a foundational inspiration for Nate Scheibe. It was Sanford Bigger’s exhibition “Codeswitch,” where the artist added layers of code to 1800’s quilts through mark-making, painting, cutting, collaging and reconstruction, where Scheibe was inspired by the medium of vintage quilts, a textile with roots in his own familial history. 

“Quilts from aunts, grandmothers, and other family members are imprinted on my memory. These fabrics bring me a sense of safety and maternal love that is reminiscent of my childhood.”

- Nate Scheibe

bec brittain

Lindsey Adams takes inspiration from Lindsey Adelman’s Branching Bubble, a ubiquitous design that has a personal link for Bec Brittain who left Adelman’s studio to form her solo practice twelve years ago. Named after Lindsey’s maiden name “Adams”, the piece exhibited is just as much a knockoff as it is an homage to Brittain’s past and early career in the lighting industry. Alongside Branching Bubble, Brittain also drew from a project she began back in 2013, where she created freeform shapes with lines of SHY bulbs. 

“Both Lindsey and I rely heavily on "systems" of parts that can be put together in a countless number of ways.  This knock off is substituting my kit of parts for hers, making analogies along the way. Her lines are tubes, my lines are the light bulbs. Her bulbs are globes, mine are the double diamond FKA Themis shapes.”

- Bec Brittain

KWH FURNITURE

The Bend/Arc Desk by KWH Furniture finds inspiration in an unlikely source, a trash can. Kai-wei Hsu came upon this particular trash can, made by Bottega Ghianda and designed by Emanuela Frattini Magnussion, back in 2016. Made up of multiple bent laminate verticals joined together at the corners for strength, each spoke of the Bend/Arc Desk is a singular component in its complex form.

Grain

Grain’s Off Grid Credenza takes inspiration from the distinctive checkerboard pattern and functional pivot hinge of a Door for an Inner Room made in the late 19th century by an unnamed Baule artist in what is now the Ivory Coast. Found within the pages of African Art in the Barnes Foundation, it was not the beautifully carved bird, crocodile and mask motifs on the front of the door that drew designers Chelsea and James Minola in, but instead the tactility of the imperfect check pattern on the door’s rear. With the check pattern originating as far back as 10,000 BC as a by-product of the textile weaving process, the Off-Grid Credenza shows reverence for its rich history and inspiration while still creating a functional piece of furniture for contemporary interiors.

“We know that the work that we make is never just ours. We know this first and foremost because we have always worked in partnership with each other, our employees and even the expertise of our vendors. We know this because we often can’t remember where something started or whose idea initiated the conversation. It is always a result of our collective lived experience and often it is hard to pull apart where inspiration stops and origination begins.”

- Chelsea Minola