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Colony at Shelter: Flood The Zone

Shelter, the exciting new NYC design fair reinvigorating the city, will host Flood the Zone, a series of talks curated and produced by gallerist and author Jean Lin, May 17-19, 2025. 

Rather than shying away from discordant conversations, Flood the Zone will use future-facing analysis and shared knowledge to foster open dialogue. 

Join us as industry and culture leaders explore how to use our creative voices as a tool for positive disruption. 

In order to register for complimentary trade access, please register here. Non-trade friends and family, please use our discount code: TALKTOME.

 

Notes from the Curator: An Invitation to the Independents

Year after year, our May group shows are fraught with stress. Yes, the physical and creative labor of making new work, but also the emotional strain of putting that work out on a limb for the world to see. Since our first exhibition 11 years ago, the nights and weeks leading up to the opening are always spent in an unhealthy realm where adrenaline and sleep deprivation weigh equally, pushing us over the finish line. I thought that after more than a decade, this process would become less arduous, but in fact, it may be even more so. 

This is the dichotomy; the beauty and the pain—the intense pride and crushing self doubt—the rush of exhilaration and impossible exhaustion of putting work that is solely your own into the world. This is both the reality of the independent practitioner and the heart of this year’s show. 

This year, our 11th in business, we asked our current designers, a select group of alumni, and graduates of our residency program to articulate their "why" through the work. We asked our designers—past, present and future: Why did you choose this path paved with unending challenge? What drives you to keep going?

The resulting exhibit will be a love letter to the spirit of the independent designer, and the meaning behind the work. THE INDEPENDENTS encapsulates my very own "why." My belief in the independent spirit is limitless, and so is my awe. 

Please join me on May 8 to celebrate together.

In shared community,
Jean Lin

 

The Independents
Thursday, May 8
6:00 -9:00 PM
196 West Broadway 
Entrance on Varick 

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Meet Our Residents: Another.World, MTM Studio, Studio B.C. Joshua

The third year of Colony's Designer's Residency culminates next week on April 17th at 6PM, please join us then as we introduce the design world to three dynamic, emerging studios:

Another.World will present an exploration into their vulnerable inner worlds with the From Elsewhere collection; Studio B.C. Joshua brings his ancestral history to life with the Harlem Cottage collection; and MTM Studio looks closely at historical influences with their elemental and material-driven Recent Relics collection. We caught up with each studio to delve into the inspiration behind their work. 

The deadline to RSVP for this event has passed.

ANOTHER.WORLD

Artist, designer, and maker Youtian Duan and visual storyteller Yingxi Ji are the creative minds behind Another.World, an innovative design studio dedicated to reimagining the relationship between humans, inanimate objects, and nature. Their unconventional and humorous projects are gateways to an imagined realm, a safe and inclusive space where individuality shines. 

Youtian and Yingxi, where did you draw inspiration for the "From Elsewhere" collection?

Y&Y: From Elsewhere was born out of our wild, untamed imaginations and brings to life remnants of dreams and glitches in reality. To us, objects are not just objects. They are alive with their own magic, purpose and untold stories.

STUDIO B.C. JOSHUA

Blake Carlson-Joshua’s work, of Studio B.C. Joshua, is infused with a unique blend of cultural and environmental influences, producing expressive furnishings that balance rawness with nostalgia, the rough and the refined, the ephemeral and the grounded. Blake splits his practice between London and his Minneapolis hometown. 

Blake, how did you find your way into the "Harlem Cottage" collection?

B: I took initial inspiration from the empowerment of the Harlem Renaissance, a period when artistic expression opened new conversations about identity and belonging in American culture. The pieces in this collection draw from that legacy of quiet transformation, were creativity helped reshape perspectives about community and place. 

Each pieces aims to integrate seamlessly into settings where people gather, rest and connect with nature—continuing a conversation about leisure that belongs to everyone. 

MTM STUDIO

Brooklyn-based Maxwell Taylor-Milner of MTM Studio combines their background in design and art history to create work that engages not only the expressive capacity of materials but the history of the forms into which they are molded. In work at once essayistic and enigmatic, they strive to make objects that are as compelling conceptually as they are tactile. 

Max, how did the desert landscape of your childhood in northern New Mexico inform the "Recent Relics" collection?

M: Growing up in the desert, I was always finding artifacts in the dirt. Recent Relics reflects on the elemental effects of nature and how light, heat, and water shape the land and everything on it. I wanted for each single object to show evidence of the system that created it. 

Palette: Let There Be Light

 

Legume Lamp

Standard Materials: Wood, Brass,
Kozo Paper, and Rattan
Dimensions: 11” L x 8” W x 28” H
Lead Time: In-Stock

 

 

Phaedra Horizontal

Standard Materials: Finished Brass, Clear Glass Prisms
Dimensions: 33” x 9.4” x 5.1”H
Lead Time: 16 weeks

 

 

Casa Busetti

Standard Materials: Cherry, River Stone
Dimensions: 3.25” L x 3.75”W x 33”H
Lead Time: In-Stock

 

Aria Pendant

Standard Materials:  Brass, Glass and Acrylic
Dimensions: 12: 15.75”H x 12ø
Lead Time: 16-18 weeks

 

 

Madra Table Lamp

Standard Materials:  Bleached ash, White linen
Dimensions: 9”Dia x 30”H
Lead Time: In-Stock

 

 

Souvenir Table Lamp

Standard Materials: Metal 
Dimensions: 10”L x 4”W x 2”H
Lead Time: In-stock

 

MORE OF

Options for when you need a lamp that stands on its own...

KWH | Tripod Floor Lamp

A classic silhouette elevated by bleached ash and nickel hardware. 

 

Kawabi | Souvenir Floor Lamp

The brass centerpiece of the Souvenir Floor Lamp is not only decorative but functions as a conductive switch.

 

Bec Brittain | Unfurl Floor Light

Each leaf of Bec Brittain's Unfurl Collection is able to spin on its axis, allowing for adjustment of light direction. 

 

You're Invited: The Designer's Residency 2025

Working from a rich foundation of curation, design education, and collaborative design development, our third annual residency culminates on April 17th as we introduce the next generation of Colony designers. Following our intensive eight month incubator, we're proud to launch three nascent studios into not only Colony's collection but also the independent design world. 

 

Another.World

MTM Studio

Studio B.C. Joshua

 

Join us to celebrate the future of design. 

The Designers' Residency Opening Reception
Thursday, April 17
6:00 -9:00 PM
196 West Broadway 
Entrance on Varick 

The deadline to RSVP for this event has passed.

What We Keep: How to Understand Textiles Online

"Whether you're purchasing clothing, a pillow, a rug, or even yards of fabric online, it can be nerve-wracking to know exactly what you're getting without seeing and feeling it in person. Not to worry: There are a few informational cues and keywords that let you know what you'll be getting, whether it's a brand-new piece or a well-loved vintage item.

Material content: There are two big categories, and a lot of gray area, when it comes to fabric content. Generally, fibers—the fluff that is spun into thread—are either synthetic or natural. Synthetics, such as polyester, nylon, and elastane, are much more durable than natural fibers but have a colder, crispier surface feel and can often look a little shiny. Because of the lack of water retention in synthetics, they have a lot of static. Natural fibers like cotton, linen, wool, and silk have a softer hand feel but are also much easier to damage through wear and tear. There are blended fabrics that use both natural and synthetic to give us the best of both worlds: soft fabric that is also durable. If you see a blended fabric, you can bet that the larger the percentage of particular fibers, the more that piece takes on the characteristic of either a natural or synthetic cloth.

From What We Keep by Jean Lin. 
Studio photography by Brooke Holm. 

 

DUNES WOOL

Standard Materials: Wool, Alpaca
Application: Drapery, Screen
Dimensions: 54”W x 56"vertical repeat
Lead Time: Please inquire

 
  

 

QUADRANT QUILT

Standard Materials: Cotton, Linen
Dimensions: Queen / 91.25"W x 93"L
Lead Time: In-stock

 
  

 

ORDER A SIGNED COPY OF WHAT WE KEEP

 
  

 

Studio Visit: Hiroko Takeda

"I was eight or nine years old and walking through a toy store. I saw a toy loom and thought, Wow, that loom can make fabric?! Amazing! So I asked for it as my birthday or Christmas present. I remember thinking, If I get this, my life will be set. It turns out that weaver and textile artist Hiroko Takeda's nine-year-old self was on to something." 

From What We Keep by Jean Lin. 
Studio photography by Brooke Holm. 

Studio Visit: Meg Callahan

"The first quilt I ever made was in home economics," says Meg Callahan, a contemporary designer whose medium of choice is sprawling, geometric, jaw-dropping quilts. "It was a 'Quillow': a quilt that folded up and tucked into a pillow," Meg explains whil folding an imaginary blanket, hand over hand, ending with a smooth, forward, five-finger slide, indicating the final tuck.

I've known Meg for years—she was one of the first designers who said yes to joining Colony. But after all this time, I never knew that her first piece was the sewing equivalent of a spork." 

From What We Keep by Jean Lin. 
Studio photography by Brooke Holm. 

 

Collection Consultation with Colony

Stemming from Colony’s rich foundation of curation, interior design, design education, sales and design development, we are excited to open our books to offer one-on-one collection consultations. Recommended for furniture, lighting, textile and object designers in any stage of your studio, this consultation will be an in depth look at a body of work of your choice. We will offer candid insight, critique and actionable advice based on our 11 years in design curation and sales, 13 collective years in design education and two successful cohorts of the Colony Residency program.

What you can expect:

  • 1 hour in-person collection consultation at Colony with Jean Lin, founder/creative director, or Madeleine Parsons, art director, of Colony.

Within this hour, we will review:

  • Collection up to 10 pieces of your choice
  • Pricing
  • Sales strategy/placement recommendations
  • Photography
  • Website/sales collateral

Upon purchase, you will be contacted for scheduling. You will be asked to submit the body of work you would like reviewed two weeks prior to your scheduled consultation. You will also be asked to complete a questionnaire stating your goals and focus for the session. Sessions are held in person or over zoom.

Openings are extremely limited, but we may be opening up more availabilities in the future.

About Jean Lin:

Jean Lin is a New York City-based gallerist, founder of Colony and author of What We Keep, published in 2024. Trained as a fashion designer, she has professional experience as a fashion designer, interior designer, editor, writer, trend forecaster, educator and curator. Jean has served as part time faculty at her alma mater, Parsons School of Design, and a guest lecturer and critic at RISD, Pratt Institute, Mass College of Art and Design, and Tama Art University in Tokyo.

About Madeleine Parsons:

Madeleine Parsons is the Art Director at Colony, where she co-directs the ongoing Colony Residency. Outside of her work at Colony, she writes Design in Verse, a newsletter on the dialogue between literature and design, and teaches within the School of Constructed Environments BFA Product Design at Parsons, The New School. She is currently an MFA candidate in Hunter College’s CNF writing program, where she is working on a book about the built environment

Passages: The World

THE WORLD 
Jennifer Chang

One winter I lived north, alone
and effortless, dreaming myself
into the past. Perhaps, I thought,
words could replenish privacy.
Outside, a red bicycle froze
into form, made the world falser
in its white austerity. So much 
happens after harvest: the moon
performing novelty: slaughter, 
snow. One hour the same
as the next, I held my hands
or held the snow. I was like sculpture, 
forgetting or, perhaps, remembering
everything. Red wings in the snow,
red thoughts ablaze in the war
I was having with myself again.
Everything I hate about the world
I hate about myself, even now
writing as if this were a law
of nature. Say there were deer
fleet in the snow, walking out 
the cold, and more gingkoes
bare in the beggar's grove. Say
I was not the only one who saw
or heard the trees, their diffidence
greater than my noise. Perhaps
the future is a tiny flame
I'll nick from a candle. First, I'm burning. 
Then, numb. Why must every winter
grow colder, and more sure? 

 

____________________

 
 
Colony_MESA-COFFEE-TABLE_VonnegutKraft

More Of

Juno Circle Quilt

Standard Materials: Cotton, Linen 
Dimensions: King Size (100"W x 96"L)
Available in stock as shown. 

Mr. B Side Table - Round

Standard Materials: Red Lacquer
Dimensions: 24"Ø x 20"H 
Lead Time: 14-16 weeks

Aperture 4 30"

Standard Materials: Brass, Glass
Dimensions: 30"L x 30"W x 20.75"H 
Lead Time: 16 weeks

In Detail: Turned Around

The purpose of a swivel chair is manifold. Often it's utility is called for simply because of the pleasure found in the ability to spin in a complete circle while sitting on an otherwise stationary piece of furniture. For floorplans that make use of multiple conversation areas, swivel chairs can be useful in joining disparate layout sections to accommodate for larger gatherings. One more reason to take a look at these swivel options: they are invariably designed in the round, so they look great from all angles. 

In addition to the Trio Swivel and Puffer Chair, both of which come with a hidden swivel base, the Salon Club and Ame Lounge have both been customized to turn themselves round. 

 

TRIO SWIVEL

Standard Materials: COM Fabric
Dimensions: 34"W x 31"D x 31"H
Lead Time: 5-7 weeks

SALON CLUB

Standard Materials: COM Fabric, Cherry feet or custom swivel base
Dimensions: 37"W x 40"D x 32"H
Lead Time: 23-25 weeks

AME / NATURAL

Standard Materials: Textile by Hiroko Takeda (COM available), Metal legs or custom swivel base
Dimensions: 40"W x 30.75"D x 28.25"H
Lead Time: 20-24 weeks

PUFFER CHAIR

Standard Materials: COM Fabric
Dimensions: 39"W x 36"D x 27"H
Lead Time: 23-25 weeks

More Of 

Colony Residency alum Stephanie Betesh of Ember Studio has been working on her production. The Trio Swivel is now available at a more competitive price point. Inquire below for updated pricing...

Trio Swivel 

A palette of complimentary or contrasting fabrics can be chosen to upholster the seat, frame and side panels of the final form.

Top 3 Posts of 2024

Over the years, our journal has become a means for sharing not only the Colony collection but also our milestones. 2024 was a year to be remembered. We celebrated our tenth year anniversary with a new address—moving from our second floor loft on Canal St. into a retail level gallery in Tribeca. Just one month after our opening party at 196 West Broadway, we threw a book launch to introduce What We Keep by Jean Lin. Moments like these are only as special as the community we have to share them with. Looking forward to what 2025 has in store.

In celebration of the New Year, we thought we'd take a look back at 2024 and count down our three most popular mailers: 

Summers were once slow at Colony. With clients out of town between the hazy months of June and August, Jean and I would pass each day in the gallery dreaming up grand plans for the future. We’d sprawl out on floor cushions with a notebook and pen close by. Fast forward half a decade, and it’s a different scene. We don’t have much time for lounging, not even in the dog days of summer. 

continued...

by Lucille Clifton 

"is a black shambling bear
ruffling its wild back and tossing
mountains into the sea"

continued....

01.

 

The first time I walked up the creaky steps of 324 Canal Street to the second floor, I had already viewed dozens of commercial spaces in downtown Manhattan. It was 2013 and Colony was just a fledgling idea without a home. 

The open loft space with 15 foot ceilings had graffiti on the walls, no lights, and the rotting plywood floor was pitched 14". Anything you put on the floor would roll to the front corner of the space. A thick layer of dust covered everything and the tin ceiling had all but rusted out in spots.