My first book, What We Keep will be published on May 14 (available now for preorder). I can hardly wait for you all to see it. In the meantime, I'm so thrilled to share some behind the scenes content with you here. Excerpts, b-roll images, video clips from my interviews with contributors, will hopefully give you a sense of what went into writing, styling and photographing this book, as well as a little peek into its pages.
My professional path has always been informed closely by my personal passions, so I called upon my Taiwanese heritage to structure the book in five sections, each named after one of the Traditional Chinese elements: Wood, Fire, Earth, Metal and Water. Much like the elements, the sections of the book are distinct in style and sentiment, yet deepened by their kinship to one another. Here is a preview and behind the scenes look at Section 4: Metal.
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Getting The Shot
Brooke and I shot 52+ projects at an unheard of clip for this book. It felt like a super power to be able to walk into a new space and find the beautiful shots, angles and frames. It wasn't always easy and we alternated being tired and having energy so the other could lead when necessary.
From Section 4: Metal
“The small collections we do keep when moving has forced us to edit out possessions, and are the treasured exceptions. A mid-century Danish wall unit from my childhood home came from my grandmother’s bedroom, so it holds sentimental value for me. I think it was even in my family’s house when they first emigrated from Germany in the 1950s. When we moved here, my friend Fabi used it in her LA apartment for a few years, and when she moved to San Francisco, she asked to buy it from me. I did sell it to her, but we have an agreement that if I want it back, she’ll sell it back to me.
“When you buy or inherit pieces of quality, they last,” continues Allyson. And the beauty of Allyson’s arrangement with her friend Fabi is good advice for all collectors: “Do we expect any of that stuff back? No, but we know it isn’t gone forever.”
Julius adds, “This was the rhythm we were in, editing down our pieces to only what we needed with each move. But that was all amplified when we bought this house.”
And what of this house? You see, Allyson, a consumer- trend forecaster, and Julius, a director and cinematographer, own a house designed by preeminent modernist architect Richard Neutra—an architect’s architect whose works are on historic-preservation lists, celebrated as Southern Californian icons. When a Neutra home comes on the market, architecture aficionados of the Southern California ilk—read, Hollywood—come knocking.
“We are so, so lucky,” says Julius of how they came to own a piece of architectural history. A friend and colleague, and the previous owner of the house, had toured Julius through just as he and Allyson were starting on their search to buy a place. “The feeling of walking onto the property and down to the house, it was incredible. There was a feeling of peace, and I knew that this was our dream house.”
